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secrets of practical chess

 


SECRETS OF PRACTICAL CHESS (New Enlarged Edition)
Author: John Nunn
Gambit Publishing (2007)
255 pages
$23.95

Reviewed by Jeremy Silman

Nunn's SECRETS OF PRACTICAL CHESS (176 pages) originally appeared in 1998 to universal acclaim.  Now Nunn has rewritten quite a bit of the book, making it longer (255 pages). But does longer mean better? In this case the answer is an emphatic yes!

Though the first four chapters are more or less the same, this doesn't make them any less important. A quick overview of the material in chapters one to four:

CHAPTER ONE: AT THE BOARD
Here he covers decision-making, oversights and blunders, time trouble, laziness, and determination.  This fills 67 pages, and every single page is pure gold.

CHAPTER TWO: THE OPENING
Building a Repertoire and Using Opening Books are two topics that will appeal to just about everyone. Here he rails against the commonplace instances where chess authors assure their gullible readers that some disgusting, and certainly unsound, gambit line is ready for prime time. This quote makes his feelings quite clear: "Less honest authors are entirely shameless about such matters. They recommend the most outrageously unsound lines without blushing even slightly. They would never play such lines themselves, of course."

One line that went under Nunn's hatchet was the Latvian Gambit. Here he recommended 1.e4 e5 2.Nf3 f5 3.Nxe5 Qf6 4.Nc4 fxe4 5.Nc3 Qf7 6.Ne3 c6 7.Nxe4 when he felt that Black didn't have enough compensation for the pawn. Since that time hoards of Latvian Gambit fanatics (most in postal chess) have fought long and hard to keep the opening alive. The first step was to prove compensation after 7.Nxe4, which many Latvian Gambit minions have insisted is the case (I'm always happy with the extra pawn in such positions, but what do I know?). Whether this is true or not doesn't concern me (though I wish Nunn had addressed this in the rewrite). Far more interesting was the new body of theory that appeared after 1.e4 e5 2.Nf3 f5 3.Nxe5 Qf6 4.Nc4 fxe4 5.Nc3 Qf7 6.Ne3 c6 7.d3 exd3 8.Bxd3 d5 9.O-O Bc5. The question is whether Black's center compensates for White's significant lead in development. A billion or so postal games eventually led people to believe that Black can make a draw in a pawn down endgame after 10.Na4 Bd6 11.c4 d4 12.Nc2 c5 13.b4 Ne7 14.Nxc5 Bxc5 15.bxc5 Nbc6 16.Bb2 0 0 17.Nxd4 Nxd4 18.Bxd4 Bf5 19.Bxf5 Nxf5 20.Be3 Qxc4 21.Qb3 Nxe3 22.fxe3 Rxf1+ 23.Rxf1 Qxb3 24.axb3 Rc8 25.Rf5 Rc6 26.b4 b6 27.Kf2 bxc5 28.bxc5 a5 29.Kf3 a4 30.Rf4 Rxc5 31.Rxa4.

I really hated the idea that such a horrible opening as the Latvian Gambit would be allowed to survive in this way, and after some trails and tribulations a major challenge to the system was presented in an article titled SPLAT THE LAT!

1.e4 e5 2.Nf3 f5 3.Nxe5 Qf6 4.Nc4 fxe4 5.Nc3 Qf7 6.Ne3 c6 7.d3 exd3 8.Bxd3 d5 9.O-O Bc5 10.b4!! is, last I looked, quite strong for White (check out the linked article to see all the analysis).

Chapter Two is only 14 pages long, but it offers priceless bits of advice and explains how to tell the difference between a serious exploration of an opening and a concerted effort to pull the wool over your eyes.

CHAPTER THREE: THE MIDDLEGAME
Here we get 29 pages covering Good Positions, Bad Positions, Attack, and Defense. Nunn's views on these things are, as always, fascinating, and useful advice can be found on every page.

CHAPTER FOUR: THE ENDGAME
This huge (53 pages) section is, in my opinion, the weakest of the book. This isn't to say that it's bad. Not at all! But the material's range is too great, taking us from a basic start to the outrageously complex. Don't forget that the book's title is SECRETS OF PRACTICAL CHESS, and I simply don't see how Rook and Bishop vs. Rook or hard-to-understand Queen endgames can be viewed as anything close to practical!

CHAPTER FIVE: USING A COMPUTER
Things like Game Databases, Playing Engines, and Limitations of Computer Analysis are extremely important subjects, all of which are VERY practical and thus fit in perfectly with the book's ultimate theme. Nunn devotes 51 pages to the topic of computers in chess, and he hits a home run with each and every page. This is must reading for everyone that plays against computers or uses a chess database.

CHAPTER SIX: CHESS LITERATURE
Nunn fills 32 pages with deeply honest and often fascinating observations about the strengths and weaknesses of chess books. Nunn says that the main point of buying an opening book (as opposed to simply using a database) is that it gives a good overview of the opening, along with its plans and ideas. He then offers up the following excellent piece of advice: "In order to choose a good opening book, check to see if the author has played the opening himself; someone who has practical experience in an opening is far more likely to be aware of move-order finesses, doubtful evaluations and untested but interesting ideas."

In this same chapter, Nunn points out the endless errors (from writers of all levels) that creep into books. As interesting as that is, I found the following to be of particular interest: "Many chess books feature good advice supported by doubtful examples. While it would be nice to have totally clear-cut examples of every principle, real-life positions tend to have messy details and distracting sidelines. The author then has the choice of ignoring the messiness and pretending that everything is clearer than it really is, or giving a totally objective commentary which risks obscuring the point his is trying to explain."

  When I read this, I thought, "Yes, he's completely right! This is an important point!" Then my eyes moved on and I realized that the example of this idea of "ignoring the messiness and pretending that everything is clearer than it really is" was from my own HOW TO REASSESS YOUR CHESS! Ouch! Here he pointed out the ideas I was trying to share, but found my analysis to be too accommodating. And ... he's right. In my zeal to push home some key (very instructive) points, I failed to analyze the position in sufficient depth. HOWEVER, there's a small fly in the ointment here. Let me repeat a bit of the Nunn quote I gave earlier: "While it would be nice to have totally clear-cut examples of every principle, real-life positions tend to have messy details and distracting sidelines."

The word "distracting" is, in my view, of enormous significance. In HOW TO REASSESS YOUR CHESS I tried to avoid long analysis whenever possible since I felt that few actually went over such things, and leaping into reams of variations can easily distract the reader from the real point of the example. But sloppiness is still sloppiness, and my noble intention of pushing ideas while hiding from analytical truth isn't a sufficient excuse. In my upcoming rewrite of HOW TO REASSESS YOUR CHESS, I'll try to retain the clarity of ideas over cascades of moves, while also making sure that whatever analysis I offer is correct and honest.

I should add that HOW TO REASSESS YOUR CHESS was written before computers were something every chess player owned. In this modern "Fritz will teach me the way" world, many players rev up their machines and have it check out the analysis of any game they are studying. Sadly, they often ignore the point of the example and get fixated on Fritz's 12-move sequence turning my stated "plus over equal" into equality (whether or not Fritz is correct in its positional assessment is quite another matter). So they come away having learned nothing, but strut proudly about their room crowing that their machine proved me wrong.

A rewrite, of course, will take care of this problem. But doesn't it strike you as sad that the Fritz addict revels in his "distraction," then wonders why he can't play a decent chess game without Fritz leading the way?

Getting back on track, Nunn finishes Chapter Six with two book reviews and a recommended reading list. It's all great stuff and prompts me to declare that SECRETS OF PRACTICAL CHESS, which is both highly instructive and fun to read, is a must buy for almost any serious player (1300 on up to master). In fact, this is one of the best books I've seen in many, many years.

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