The
insert to Andrew Soltis' 100
Greatest Chess Games of the 20th Century, Ranked
reveals that Soltis is the "author of more
than 90 books," and it really shows, in the
tradition of other chess writers with 80 books
or more (I can think of three others). Originally,
I was so upset with this apparently cobbled-together
book that I had written over 4 pages of criticism,
and then realized that it wasn't worth it. I'll
try to summarize just a few of my objections instead.
The author has a system of assigning
points by "criteria" which he then seems
to ignore entirely. For one thing, that a game
is well known or famous, not one of his criteria,
clearly counts for more than the stated criteria.
Soltis, as indicated by his oversized bibliography,
apparently limits himself mainly (wholly?) to
other's lists/selections, Informant lists, and
games collections of famous players. He says that
he doesn't attempt to balance the selection according
to period, but then includes almost no wins by
the best-known contemporary grandmasters (e.g.,
1 Anand loss, 1 Shirov loss, 1 Ivanchuk loss,
nothing by Kramnik, etc.). He calls Ivanchuk a
"supertalent" and "genius,"
by the way--I wonder what game could have given
him that idea? Any serious attempt to really use
his "criteria" would replace many of
his duller selections by the brilliant efforts
of these players.
His well-known dislike of Karpov
provides a stark example of personal prejudice.
Karpov is represented by 3 losses and not a single
win. Pathetically, Soltis tries to confuse the
issue by including a Karpov win in the Introduction
as an example of what couldn't make the book,
claiming that Karpov played like a "machine."
Then he creates a "strawman" by saying
"Of all Anatoly Karpov's games, this [reject-JW]
may be the most impressive for its accuracy and
finesse." A ridiculous statement, by the
way, the implication being that any other win
from the "machine" couldn't qualify.
This from the man who said something like: "Who
can remember any of Karpov's wins?" in a
"Karpov Forum" specifically designed
to trash Karpov himself.
Soltis claims that a game which
is unsound or with poor opposition (meaning the
play of the loser, not the rating) shouldn't be
included, but then includes both types, where
it takes clear mistakes (sometimes numerous and
not very obscure ones) for the opponent to lose.
He ignores awe-inspiring positional masterpieces
containing several profound moves and sustained
brilliance in favor of a handful (if that) of
lesser positional efforts by famous older players.
His #1 game of the century is Berliner's
famous correspondence game against Estrin. This
of course included vast amounts of thinking time
("weeks" just for the initial idea,
according to Soltis) and no constraints on moving
the pieces to test ideas. I think that's fine,
but then did Soltis really make a serious effort
to find the other postal masterpieces? His categories
of "originality," "opposition [play
in the game]," "soundness" (accuracy/difficulty),
"breadth/depth," and "overall aesthetic
quality" are ones which would greatly favor
the correspondence game, and I suspect that there
would be at least 30 or 40 of them if Soltis took
his own categories seriously (I believe there
were only 3).
I said that I'd limit myself.
To finish with, a comparison with Burgess, Nunn
and Emms' Mammoth
Book of the World's Greatest Chess Games
is interesting. They too relied upon games by
top-level players and famous games, but they also
had one of their 3 criteria as "historical
significance." More importantly, they had
deep and original analysis for every game; Soltis'
notes are superficial and as far as I can see,
completely unoriginal. The main reason I can see
to get this book would be its set of top-flight
games; but then why not get a similar set of thoroughly
annotated games by higher-quality authors (the
just-mentioned Mammoth
book), for a fraction of the cost? As with all
Mcfarland books, the production quality is superb,
but a closing comparison might be useful: Can
you imagine Soltis' deeply-researched Soviet
Chess in a cheap pamphlet
or newsprint form? I can't. Can you imagine this
book in that way? Easily.
|