Since
I am going to use GM Bogdan Lalic's The
Grünfeld for the Attacking Player
to illustrate some typical faults a repertoire
book can have, I should in fairness make some
compensating remarks. First, as with other Batsford
productions, it is well produced, with high standards
of editing and typesetting. Moreover, at the time
it was written, there was a definite gap in the
literature of this opening, and as a reference
book, it is undoubtedly useful. I myself check
new Grünfeld games against Lalic's book as
well as my databases. I would also point out that
Lalic's excellent recent work, The
Budapest Gambit (Batsford
1998), appears to be a much more careful and far
better-researched book (his treatment of the line
I play, for example, was extensive and accurate);
so the problems I list below, although they are
typical of many opening books, do not apply to
this author's work in general.
Lalic makes it explicit that he
is writing a Black-point-of-view book, with an
emphasis on the second player obtaining winning
chances. His method of presentation is the illustrative
game, with sidelines given in notes. This contrasts
with Emms (who uses the traditional tree structure),
and corresponds in principle to what B+P do. But
in fact, Burgess and Pedersen take almost obsessive
care to list all of Black's serious options versus
the White repertoire they are suggesting. I consider
this a strength of their book because, if you
play a game over the weekend and return to find
out why the proposed system didn't work for you,
the exact move order is very likely to be found
with an example, or at least a suggestion. Lalic's
presentation is much looser; he seems to mention
the lines he is most interested in, or has a nice
example for, but omits other important variations.
In an earlier review, I identified this as a danger
of the illustrative-game approach, i.e., that
one can skip lines too easily. As an example (and
there are others below), the first Grünfeld
I glanced at for this review was in a recent magazine
and began 1.d4 Nf6 2.c4 g6 3.Nc3 d5 4.cxd5 Nxd5
5.e4 Nxc3 6.bxc3 Bg7 7.Be3 c5 8.Qd2 Qa5 9.Rc1.
This formerly popular move is not as frequently
seen as 9.Rb1, since the ending after 9.Rc1 cxd4
10.cxd4 Qxd2+ 11.Kxd2 is supposed to be okay for
Black. But when I was studying this line about
a year ago, I noticed a correspondence game that
seemed promising for White, especially when I
did some independent analysis. So I wanted to
see what Lalic said: alas, 9.Rc1 itself is missing
from the book! At least, one would think that
Grünfeld players would need to know how to
play the Black side. Okay, it happens. Then I
thought I'd compare the overlap between Burgess
and Pedersen's book and Lalic's. B+P (who had
access to Lalic's book) recommend the above variation
for White, but with 9.Rb1 b6 10.Bb5+ Bd7 11.Bd3!?,
and quote various games from 1992 to 1997. Lalic
doesn't even mention 11.Bd3 at all.
Next, I checked the line I myself
have played for years as White, 7.Nf3 (instead
of 7.Be3 above) 7...c5 8.Rb1 0-0 9.Be2, which
is probably the "main line" of the Grünfeld
in contemporary practice. Here I found a number
of problems. First, like too many authors, Lalic
apparently adds no analysis whatsoever of his
own to this chapter. Yet the reader has no way
of knowing this, since he fails to attribute any
of the dense notes to every game, although they
are copied wholesale from Informant! These include
notes by lesser masters as well as the likes of
Shirov, Kramnik, and Leko. It is irritating and
misleading to steal analysis in this fashion,
and the reader has no idea if Lalic is just throwing
out some ideas or whether this is the in-depth
analysis of a player who actually played the game.
Worse (from the point of view of forming a repertoire),
the games cited in many variations come from 1994
and 1995, but the critical, tactically-based lines
in those games were overturned by improvements
which appeared well before Lalic's book was published.
In fact, some of these improvements were listed
in the same Informants from which he draws his
games! This lack of research does a disservice
to the reader, especially since many of these
improvements are for the White side.
Then there are the gaps. In the
main line after 9.Be2 cxd4 10.cxd4 Qa5+, for example,
Lalic doesn't even mention 11.Qd2, which is not
only the move a club player would tend to play
(to protect the a-pawn), but it has a large body
of games by top-level GMs behind it and requires
very careful and accurate defense by Black. In
most of the main games with 11.Bd2 Qxa2, furthermore,
he curiously omits well-established moves for
White, even though those are the ones that the
player of Black needs to know about. All this
might not be so bad had the author provided his
own insight into the variations given. But at
least in this material I looked at, several of
the lines presented for Black are subject to rather
easy improvements by White; in general, one feels
that the author hasn't given much personal attention
to the games. Overall, then, this chapter ends
up being a jumble of misleading games with poor
guidance.
My point is certainly not to denigrate
this particular book, which is in any case a useful
introduction to the Grünfeld for Black, or
Lalic, who, as mentioned, has already avoided
repeating these problems in his latest work. He
writes well and instructively, and will certainly
produce more fine books in the future.
YOU
CAN FIND THIS BOOK AT

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