This
stunning film by Zhang Yimou (American audiences
may be most familiar with his critically acclaimed
RAISE THE RED LANTERN) will appear in U.S. cinemas
in a few months – a wise decision since
its epic scale and breathtaking cinematography
deserve to be seen on the big screen.
HERO (which features
an all-star cast) takes place at a period in China’s
history where the country was divided into seven
separate kingdoms: Qin, Zhao, Han Wei, Yan, Chu,
and Qi. Though each kingdom fought for domination,
the King of Qin – viewed by many as a ruthless
warmonger – had the most powerful army and
the clearest vision of what he wanted to achieve.
His road to domination was almost clear, the one
problem being that three legendary (and unstoppable!)
assassins (Broken Sword, Flying Snow, and Sky)
had devoted themselves to his death.
This movie is about
the relationship between the assassins, the man
that supposedly killed them (known as Nameless,
played by Jet Li), and the King – a group
of extraordinary people whose lives become intimately
entangled.
At first we are treated
to epic armies (the mind-bending use of raining
arrows amazed me), fight scenes devoid of blood
lust but filled with poetry, and wire-work that
is more dance than anything else. The use of color
is almost overwhelming – rich hues of green,
red, gold, and virgin white so powerful that one
can easily feel drowned in their beauty.
These things are more
than enough to create a memorable picture, but
soon we realize that all is not what it seems
as passion, love, honor, art, and philosophy blend
seamlessly together to form one of the finest
motion pictures ever made.
Never dull, filled
with tension and beauty and action, yet ultimately
forcing the viewer to actually think (something
rarely encountered in an American film), HERO
is a must see and was, in my mind, the best movie
of 2002.
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